At Superbooth 2018, Spectrasonics proudly announced a major update of our flagship software synthesizer Omnisphere®.With the new version 2.5, Omnisphere enters a new era by becoming the first software synth in the world to offer a Hardware Synth Integration feature, which transforms well-known hardware synthesizers into extensive hands-on controllers for unlocking Omnisphere’s newly. Akai Professional MPK MIDI Keyboard Controller. Amateur musicians or musical maestros. The instrument offers wavetable oscillators, frequency modulation, sample playback, and multi-mode filters. Equator is compatible with most major DAWs, while the RISE controller works with most software instruments including Kontakt, Omnisphere 2, and Logic’s EFM1, ES2, EXS24, and Sculpture. Super deep sub bass, which you can add extra attack (pluck) on, as well as distortion, with your MIDI controller. This sound is from my Deep Bass Preset Pack for Omnisphere. Army of Darkness. A heavy impact with lots of punch as well as low end, that you can add extra attack on as well as explosion tail to the sound, with your MIDI controller.

Details

Omnisphere® is the flagship synthesizer of Spectrasonics - an instrument of extraordinary power and versatility. Top Artists all over the world rely on Omnisphere as an essential source of sonic inspiration. This award-winning software brings many different types of synthesis together into one amazing-sounding instrument that will spark a lifetime of exploration.

Hardware Synth Integration

Omnisphere is the only software synth in the world to offer a Hardware Synth Integration feature. This remarkable innovation transforms over 65 well-known hardware synthesizers into extensive hands-on controllers that unlock Omnisphere’s newly expanded synthesis capabilities. Simply put, this ground-breaking feature makes using Omnisphere feel just like using a hardware synth! By bridging the physical experience gap between software and hardware, users gain intuitive control of Omnisphere by using the familiar layout of their supported hardware synth. Virtual instrument users can now experience the joy of the hardware synth workflow and hardware synth users can fully expand their capabilities into the vast sonic world of Omnisphere!

Supports the Following Hardware:

Omnisphere 2.6 Features

• Now includes over 14,000 inspiring sounds for all types of music production
• Ground-breaking Hardware Synth Integration allows hands-on control of Omnisphere
• Audio Import - Use your own audio file as a soundsource
• State of the Art Arpeggiator with many unique features
• Over 500 DSP Waveforms for the Synth Oscillator
• Sound Match™ feature instantly locates any related sounds in the library
• Hardware Library with distinct ‘classic analog’ flavor
• Powerful Granular Synthesis for amazing transformations
• 57 incredible FX Units, which are fully integrated and can be modulated
• Creative “Psychoacoustic” sounds from the renowned Spectrasonics sound design team
• Sound Lock™ feature gives endless useful variations by locking sound aspects while browsing
• Wavetable Synthesis - Each waveform is a Morphing Wavetable
• ORB circular motion interface allows infinitely-shifting variations
• Deeper FM/Ring Modulation capabilities for aggressive timbres
• Dual Filter architecture includes more than 34 Filter algorithms in series or parallel
• Performance-oriented Live Mode allows for seamless patch layering on the fly
• Flex-Mod™ modulation system allows powerful, modular-style matrix routing
• Stack Mode interface allows for complex patch-layering, splits, and crossfades
• Up to 20 oscillators per patch can be either DSP synth or sample-based
• High Resolution resizable Interface with “Zooming” into deeper synthesis levels
• Polyphonic Timbre Shifting/Crushing, Waveshaping and Reduction
• Eight full-featured LFOs per patch, with syncing and complex waveforms
• Twelve Envelopes with both simple ADSR-style or advanced multi-breakpoint interfaces
• Easy Sound/Project Sharing for collaborators and third-party libraries
• Sample-based soundsources can be processed with synthesis features
  …and much, much more!

Greatly Enhanced Arpeggiator

• New Pattern and Play Modes
• New Presets Library
• New Step Modifiers
• New Chord Voicings
• New Pitch Slides
• New Step Dividers
• Capture MIDI Files!

New Hardware Sound Library

Omnisphere 2.6 includes a stunning new “Hardware Library” with over 1,600 new patches created by Eric Persing and the renowned Spectrasonics Sound Development team. Each hardware profile has a corresponding set of sounds in the Hardware Library which were specially designed using that hardware synth as an Omnisphere controller. These inspiring new sounds feature a wide range of categories and many have a distinctly ‘classic’ flavor! Notably, the 2.6 update takes Eric’s classic sound design work from the original 1987 Roland D-50 into completely new sonic territory with Omnisphere’s vast synthesis capabilities. Best of all, the new sounds are available for ALL users, regardless of using the hardware or not!

Vastly Expanded Synthesis Engine

• Four Layers per patch!
• New State Variable Filters
• Over 500 DSP Wavetables
• Powerful New Granular Synthesis
• 8 LFOs, 12 ENVs, 34 Filter Types per part
• Doubled Mod Matrix
• Full FX Modulaion

Audio Import

You can use your own audio file as a soundsource in Omnisphere, simply by dragging it onto the interface! Go wild with using the new Granular Synthesis, Harmonia, Innerspace and many other creative tools inside Omnisphere!

New High Resolution Interface

Omnishere 2.5 now supports a newly redesigned, high resolution interface with support for HiDPI displays. The modernized GUI is now easier to use and resizable to fit comfortably into your workspace.

Includes over 14,000 sounds!

Since the beginning, Omnisphere has been the sonic weapon of choice for creative players and producers in search of next level sounds on hit records, bestselling games and Oscar-winning films. Omnisphere's amazing sound library is constantly growing and being pushed in fresh directions by the award-winning Spectrasonics Sound Development Team.

57 FX Units

Additional Highlights

• Standalone Application now included!
• New Live Mode interface for touch screens
• Enhanced Orb with Attractor mode
• Satellite Instrument support for Trilian and Keyscape

*Free shipping available in North America

SYSTEM REQUIREMENTS FOR ALL USERS

• 2.4 GHz or higher processor
• 4GB RAM minimum, 8GB or more recommended
• One available USB 2.0 port for installation
• 64GB of free hard drive space

Mac Users:

• OS X 10.11 El Capitan or higher
• AU, VST 2.4 or higher, RTAS/AAX capable host software
• Audio Unit plugin requires host with support for 'Cocoa' based plugins
• Native 64-bit and 32-bit on OSX

Windows Users:

• Microsoft Windows 7 or higher
• VST 2.4 or higher, RTAS/AAX capable host software
• Native 64-bit and 32-bit on Windows

Also Purchased

• Keyscape™ - Collector Keyboards

  $399.00

• Fire Water - Aggressive Meets Ethereal for Omnisphere 2™

  $35.00

• The Fame Series: Indie Pop — Patches for Omnisphere 2™

  $35.00

• Ascension - Risers and Swells for Omnisphere 2™

  $35.00

Computer-assisted music production has never been richer, easier, and ubiquitous as it is today.

Whether you are a:

• Aspiring music producer
• Musician
• Arranger
• Score composer

It’s pretty safe to declare that, sooner or later, you’ll undoubtedly get to the point where using a virtual instrument is not just a whim…

But a necessity.

Because, you might be unaware of it, but virtual instruments have the potential to dramatically improve:

• your songs
• your creativity
• your overall satisfaction…

And ultimately your reputation, as well as your self confidence.

Sounds like a pretty big deal, doesn’t it?

But if you think I’m exaggerating, think of it this way:

Unless you have a fully equiped studio in which you can record each and every instrument smoothly and with a guaranteed perfect result (which is, realistically not the case for most home studios)…

Virtual instruments totally make sense as they’ll provide you with an extremely realistic and accurate rendering of most instruments, so that you can breathe new life into your projects.

Sounds like something you might have a use for? Then read on.

Now, for the sake of the post, we will disregard all options that are specific to a certain DAW. Because if you use that DAW, you already know about it.

Best Midi Controller For Omnisphere 2019

And if you don’t use that DAW, then you probably won’t be interested in using it anyway.

The Categories

For this article, I’ll order the best softwares in 7 categories:

1. All-Around
2. Drums
3. Synths
4. Piano
5. Bass
6. Guitar Amp
7. Orchestra/Choir

First up…

1. Best All-Around: Native Instruments Komplete

For over 20 years ago now, Native Instruments’ Komplete suite has been the most extensive bundle available…

As well as the most popular one, for these reasons:. simply because of the quality of the recordings, the unique instruments available and the huge discount you get for buying the bundle.

Now, up to version 11, NI’s Komplete was available in 3 different suites, which are still available in the current line:

• Select – which is the cheapest edition with which you get 45GB wrth of sounds
• Regular – which is the standard edition with 200GB worth of sounds
• Ultimate – which was the biggest and most expensive edition of all with 600GB worth of sounds.

But with Komplete 12, Native Instruments created a new suite: the Ultimate Collector’s Edition

And as you might have guessed by its name, this is the most extensive suite of them all, with nothing less than over 900GB of sound, which is why it actually comes with its own hard drive.

With this version you get more than 45 expansions and over 90,000 sounds.

To get an idea of the level of realism the Komplete Suite offers chek out this video:

Check out the different versions here:

• Komplete 12 Select – (Amazon)
• Komplete 12 – (Amazon)
• Komplete Ultimate – (Amazon)
• Komplete Elements – (Amazon)

Up next…

2. Best Drums: Toontrack Superior Drummer

Yes, it’s finally here. After almost a decade in the developing, the third iteration of Toontrack’s critically acclaimed drum sampler has finally arrived…

And it definitely lives up to its expectations. In fact, it completely blows any potential competitor out of the water, and here’s why:

• All drum samples were recorded by legendary sound engineer George Massenburg in Galaxy Studios, Belgium
• All recordings were made in a 11.0 configuration (meaning no less than 11 microphones were used for each recording) with revolutionary “height” microphones to better capture the ambience
• No other drum sampler offers such advanced features
• It’s ideal for e-drummers

So that’s for the very general overview of this new version. But let’s go a little bit deeper and see where the real power of SD3 resides.

• TheTracker – which relies on artificial intelligence to automatically convert an audio file to MIDI samples. Very useful for e-drummers, for instance.
• The Bleed feature – which is unique to SD3 and allows to use the sounds picked up by the mics “other than the one(s) directly intended for a specific instrument or ambience” so as to create an even more realistic sound.
• Import your own sample – in addition to the 235GB library available, you can also import your own sample and more importantly, you can SUPERIMPOSE them to the already existing ones.

One last BIG aspect of Superior Drummer 3 is the Song Creator feature, which will automatically create structure groove variations according to the initial MIDI rhythm you choose. Pretty sweet, right?

Check out this video to see Superior Drummer 3 in action:

• Superior Drummer – (Amazon/B&H/Thomann)

Also check out Superior Drummer’s “little brother” EZ Drummer:

• EZ Drummer – (Amazon/B&H/Thomann)

As well as SD3’s direct competitor:

• Steven Slate Drums – (Amazon)

Up next…

3. Best Synthetiser: Spectrasonics Omnisphere

Rarely before has a music software program been so unanimous…

And if you ask 100 music producers what synthetizers they use the most, or which is their favorite…

Chances are 99 will have the same answer: Spectrasonics’ Omnisphere.

If I had to use ONE word to describe Omnisphere, it would probably be “POWERFUL”…

Simply because the amount of features and tools this software offers is in a class of its own.

But also because of its virtually endless capabilities when it comes to creating and synthetizing sound, be they samples or even nothing at all…

That’s right, this software can not only synthetise pre-existing sounds, but also purely CREATE sounds from scratch, which, to date, NO other synthesizer can do.

Here are the major new features of Omnisphere 2:

• Import your own samples – oddly enough, the first version of the software didn’t offer this feature
• Redesigned user interface
• New “Sound Lock” feature – it allows to “block” a specific sound attribute as you browse, so that the results all include this specific element.
• 400 DSP waveforms – compared to only 5 available in the previous version, these allow you to modulate and change any sort of sound as you please, be it taken from Omnishpere’s library, recorded by you or even created by the software itself.

But rather than listing a multitude of powerful features, why not just take a look at this video which highlights the biggest ones:

• Click to compare prices – (Amazon)

Up next…

4. Best Piano: Toontrack EZ Keys

Anybody looking at the EZ Keys box cover will probably think it’s just another virtual piano instrument…

Which it absolutely is, and a good one at that.

But, as crazy as it sounds, the instrument part is not the strongest feature of this software…

EZ Keys’ core strength lays in it’s songwriting assistance aspect.

So how does this program actually helps you write a song? Well, mainly thanks to these 2 features:

• A revolutionary “Circle of Fifths toolbox” – which allows you to change the key of any midi sample as well as enrich a simple chord, among many other features
• The ability to create a whole song out of a simple melody – lay down a simple melody, feed it to EZ Keys and let the program do the rest.

To expand a bit on this last point, just know that by letting EZ Keys figure out the key of your melody, you’ll be able to isolate a bassline and corresponding chords…

Which is tremendously useful and will save you a lot of time during your writing process.

In other words, a great tool to keep you inspired throughout your composing process.

Take a look at this video to see these features in action:

• Click to compare prices – (Amazon)

Now, if the “songwriting” aspect is not something you feel the need for, and if you’re solely looking for SOUNDS…

Then you might want to turn to Spectrasonics’ Keyscape instead.

To put it simply, the quality of the recordings as well as the QUANTITY of instruments recorded is actually never heard of before.

But don’t take my word for it, take a look at the video below which features renown piano and keyboard players trying out different features of Keyscape, including jazz legend Herbie Hancock:

One last advantage of Keyscape is its perfect integration with Omnisphere 2. So if you happen to use the latter, using Keyscape will be very intuitive.

Check it out:

• Spectrasonics Keyscape – (Amazon/B&H)

Finally, if you’re looking for pure piano sounds, as in upright and grand pianos, Synthogy’s Ivory II is regarded as the best in the field…

Since it’s the ONLY SOFTWARE that specializes in this instrument.

Check it out:

• Synthogy Ivory II – (Amazon/B&H/Thomann)

Up next…

5. Best Bass: Spectrasonics Trillian

Clearly, Spectrasonics are a reference when it comes to sampling instruments.

The thing is…

Sampling pianos, vintage synths or keyboards is one thing, but sampling a plucked string instrument is a WHOLE other thing.

Because between the organic sound that comes from a pick touching a string to the one of the string slapping against the pickup…

There is a virtually endless amount of nuances to capture. And so even though we’re still pretty far from being able to play the guitar or bass on a keyboard, there are some seriously good options out there.

And among them, NONE has reached the level of realism that Spectrasonics’ Trilian has.

In fact, the current version is actually a decade old but is still the leader in Bass VSTs, which should give you an idea of just how good it is.

Here are the key features of Trilian:

• 34GB library – each note has been recorded several dozens of time so that you get a different attack, sustain or harmonic everytime you press a key
• Various types of bass – electric, fretless, and even upright.
• Many different techniques – pick, slapping, fingerstyle as well as various types of articulations such as staccato, legato, slide, gliss and many more.
• Round-Robin algorithm applied all over for even more realism, so that no 2 notes sound the same, even with reapeated notes.
• Full Omnisphere integration

To grasp the level of realism in Trilian, just know that Spectrasonics went as far as sampling various different release articulations, for when you release the keyboard key, so that you’ll never hear twice the same.

Finally, the “Bass legends” feature allows you to impersonate some of the greatest bass players in history, such as Marcus Miller, Abraham Laboriel and John Patitucci.

To hear all of these features live and in action, check out this series of official launch videos:

• Click to compare prices – (Amazon/B&H)

Up next…

6. Best Guitar Amp: IK Multimedia Amplitube

Some guitar players argue there is no need for a full guitar recording setup anymore…

Now that we have AmpliTube. And to be honest, it’s quite hard to disagree when you consider all the features and possibilities the last version of this piece of software offers.

Because the true power of AmpliTube lays in its virtually endless combinations of cabs, speakers, amps and microphones. which you can interchange.

On top of that, you can even MOVE the mic position on the cabinet for even more sound tweaking. Talk about hyper-realism, huh?

In terms of numbers, here’s what you get:

• 80 amplifiers
• 90 cabinets
• 29 speaker models
• 19 microphones
• 24 rack effects
• 88 stomp boxes effects – (chorus, delay, flanger etc…)

Apart from all of these to choose from, you can customize the way you “blend” your effects by using various “stomp boxes” simultaneously, as well as using dual amp and dual cab setups.

Another BIG feature of AmpliTube is that it’s actually a standalone software, meaning that although you can absolutely use it within your favorite DAW, it will work on its own.

And its integrated 8 tracks DAW is suprisingly good. So if you’re just starting out with music production and haven’t figured out which DAW you want to use…

You’ll still be able to record yourself in AmpliTube.

Check out the video below to get a general idea of AmpliTube’s features:

• Click to compare prices – (Amazon/B&H/Thomann)

Up next…

7. Best Orchestra/Choir: Miroslav Philharmonik

Here’s another — very — challenging “instrument” to sample: a philarmonic orchestra.

So how exactly do you sample several dozens of instruments, sometimes up to more than a hundred?

Well it seems Miroslav Philarmonik 2 may very well have found the way by recording thousands of different sounds for a massive total of 55GB library.

The thing is, despite how complexe this task is, there are dozens of options available in the market right now…

So why choose Miroslav Philarmonik 2 in particular? Well, essentially for those reasons:

• It’s a full, complete suite of all the instruments present in a philarmonic orchestra
• It’s affordable
• It’s powerful
• It works as a stand-alone software thanks to its built-in DAW

The instruments have been recorded in CNSO Studios in Prague, Czech Republic, which is the prefered studio to some of the greatest contemporary composers, such as Ennio Morricone.

And just like the previous pick of this list, Miroslav Philarmonik 2 offers a built-in DAW and as such doesn’t require you to use an external one.

If you want to see a skilled composer using Philarmonik 2 to write and orchestrate a draft, take a look at the video below:

• Click to compare prices – (Amazon/B&H/Thomann)

Best Midi Controller For Omnisphere 2

Also check out EastWest Hollywood Orchestra, which is another very popular option among studio composers:

Best Midi Controller For Omnisphere 20

• Click to compare prices – (Amazon/B&H/Thomann)

To conclude this part, I’d like to mention the Vienna Symphonic Library project, which is probably the most ambitious project around when it comes to sampling philarmonic orhestras.

Best Midi Controller For Omnisphere 2.0

The project started back in the year 2000 and has become the most comprehensive database for classical instruments samples.

They’ve recorded more than 3 million samples and are the go to choice for Hollywood composers and sound designers.

So as you might guess, their products are very expensive, but if you’re considering using them for professional intent, they’re definitely worth it.

Check them out:

• Vienne Symphonic Library – (Amazon/B&H)

So there you have it, the best virtual instruments available. Hope you found what you were looking for!

Best Midi Controller For Omnisphere 2020

‘Til next time.